Depression’s Crown
by
Jeannie E. Roberts
"She conquered her demons
and wore her scars like wings." ―Atticus
Have you known the dreary
bird―
kissed its ashen lips―
wept a time or two―
crossed the dark abyss?
If you've crossed the dark
abyss,
you've worn a mournful
cape,
beheld the leaden vault,
become a somber shape.
As a somber shape,
did you beseech the light―
plead for its emergence―
see beyond the night?
If you saw beyond the
night,
did you hear an ancient
call―
recognize its whisper―
fly its hallowed halls?
If you flew its hallowed
halls,
did hope release your
flight―
launch your gratitude―
infuse your wings with sight?
Infused with wings of
sight,
you've flown with ashen
kiss,
wept a time or two,
as you crossed the dark abyss.
* * * * *
Editor's Note: This poem was originally called "Depression’s Crown Sonnet," and posted as such. A hyper-vigilant reader took issue with that, it not being in a traditional sonnet form, so the author offered to re-title the poem and surrender some artistic license in the process.
Editor's Note: This poem was originally called "Depression’s Crown Sonnet," and posted as such. A hyper-vigilant reader took issue with that, it not being in a traditional sonnet form, so the author offered to re-title the poem and surrender some artistic license in the process.
Jeannie E. Roberts has
authored six books, including The Wingspan of Things, a poetry
chapbook (Dancing Girl Press, 2017), Romp and Ceremony, a full-length
poetry collection (Finishing Line Press, 2017), Beyond Bulrush, a full-length
poetry collection (Lit Fest Press, 2015), and Nature of it All, a
poetry chapbook (Finishing Line Press, 2013). Her second children's book, Rhyme
the Roost! A Collection of Poems and Paintings for Children, was recently
released by Daffydowndilly Press, an imprint of Kelsay Books, 2019. She is Poetry Editor of the online literary magazine Halfway
Down the Stairs. When she’s not writing or editing, you can find her
drawing and painting, or outdoors photographing her natural surroundings.
I love the composition of this--the refrain effect between the stanzas, and the final stanza tying it all together.
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