Saturday, 7 July 2018

The Florida Anoles*

The anoles
in the azalea bushes wind
around branches like wavy hair,
hundreds of anoles
hiding Escher-like
in chain link fences,
under palmetto bushes, on concrete block walks,
 under the mist
that hovers over the vacant lot
next door like fabric softener sheets.
They are ribbons
tying me
to this front porch
in the town
of my childhood.
I have returned,
they have tasted me,
& I taste like their own blood.



____
*An anole is a small, harmless gecko-like creature that eats mosquitoes and other insects.


* * * * *

A former Chicagolander, Eileen Murphy now lives 30 miles from Tampa. She received her Masters degree from Columbia College, Chicago. She teaches literature and English at Polk State College in Lakeland and has recently published poetry in Thirteen Myna Birds, Tinderbox (nominated for Pushcart Prize), Yes Poetry, The American Journal of PoetryRogue AgentDeaf Poets Society, and other journals. Her website is mishmurphy.com.


Friday, 6 July 2018

Illuminated Manuscript

by Lisa Marguerite Mora


Cracked face of a clock frozen
to the wrong minute,

outside a restless grimy tide washes
through shallow footprints
now they are puddles, and sand crabs
scrabble for sustenance.

I could be like them lost in the certainty
of sand and oxygen and angry
wayward waves. They comprise the universe --

excoriating wrench and rhythm, yes I could be lost
to the riptide's deadly yank, my limbs, my head lolling, no longer
fighting.

It would be easy.

But recently there is this other (me) that can frame
the whole scene and all its visceral misery

within a border of twined flowers as in an illuminated
manuscript

the page laden
between my fingers.

It is but one page.

Where do I suspend disbelief?


* * * * *

"Illuminated Manuscript" was originally published in a slightly different form in Literary Landscapes, a publication of the Greater Los Angeles Writers Society.

Lisa Marguerite Mora has had work published in Rattle, ONTHEBUS, Rebelle Society, The Urban Howl, Cultural Weekly, Public Poetry Series, Literary Mama, and California Quarterly, among many others, including a Blue Mountain Arts Poetry Prize and in 2017 tied First Place for Dandelion Press Micro Fiction Contest. Recently she has finished a first novel and is at work on her second. Lisa studied with author Carolyn See at UCLA where she received a Bachelors in English with a Creative Writing Emphasis. A story editor and consultant, she also conducts creative writing workshops in the Los Angeles area.


Thursday, 5 July 2018

Witness

by Eve West Bessier


Soon it will arrive,
that sweet moment
of clarity,

just before the twin spotted
spiny lizard sprints,

or just after,

his tail disappearing
under Apache grass.

I will witness it,

that moment,

wondering whether to let
it pass

without residual
intention to do anything

in particular.

This morning,
the lizard avoids
the roadrunner's beak

a small gift
in a hard-natured world.


Wednesday, 4 July 2018


JULY FOURTH NINETEEN EIGHTY TWO

by Donna Joy Kerness


It smelled like fish
getting ready to die
on the Staten Island dock,

our eyes grouped together
stalking a silent black sky-
sharing an old white shawl
we shivered against each other,
as night swelled
with color
carrying our sighs
over bridges
strung with a necklace of lights
a luminous sword
lasered
through the dark
as we Fourth of Julyed
Our arms exploded
into a neon
moment
of infinity———


Tuesday, 3 July 2018


Animal Pancakes

by Traci Mullins


The sound of Grandpa’s houseslippers mushing down the carpeted hallway toward the sunny blue kitchen makes my mouth water. I have been eating his infamous animal-shaped pancakes almost every Sunday since I moved back to Riley two years ago, and he has been working on his craft for at least thirty.  
Grandpa gives Grandma a good morning kiss as she and I sit at the yellow Formica table drinking coffee and reading the obituaries in the Statesman-Journal. Grandma always reads them out loud first thing—the news headlines can wait. I wonder if I’ll be as fascinated with dead people when I’m eighty-five.
“Oh dear, Franklin, listen to this. ‘Eldon Sullivan passed from this life on Friday. He was 84.’” She reads about Eldon’s military service and his beloved wife Gracie and his fourteen great-grandchildren and wonders aloud about what he died of and how Gracie is doing and whether or not flowers should be sent or maybe she should take a casserole.
“Was he a good friend of yours?” I ask.
“Well, not real close, but some years back we used to see him and Gracie almost every Saturday night at the Elks. Boy, was Eldon a great dancer! Wasn’t Eldon a great dancer, Frank? He could cha-cha like no one’s business.”
Grandpa doesn’t seem to hear; he is well into the serious business of mixing the buckwheat pancake batter.
“I’m so sorry,” I say. “You have to promise me you’ll live to be at least 100!”
“Okay, Sweetie,” Grandma smiles, beginning to scan the headlines. “I promise.”
Grandpa pours the first animal on the hot griddle with a sssssst. He always cooks each pancake to a crispy-around-the-edges perfection. I get myself into position with knife and fork. “I’m salivating here, Grandpa.”
He winks as he flips a camel onto my plate. “Here’s a bunny for you,” he chuckles. Camel, bunny—it doesn’t matter to me as long as Grandpa made it. I drench the imaginary powder-puff tail with Mrs. Butterworth’s and fork it into my mouth.
On Tuesday morning, Grandpa and Grandma’s phone number pops up on my caller ID. It’s unusual for them to call; we normally wait until the weekend to catch up. I barely get out “hello” before Grandpa blurts out, “Frances won’t wake up!”
“What do you mean, she won’t wake up? You mean she hasn’t gotten out of bed this morning?”
“No! And I don’t think she’s breathing!”
“Grandpa,” I say firmly, quelling the panic rising inside me, “call 911. I’m coming right over.”
Ten minutes later I barrel up Chemeketa Street and skid into the driveway like a batter into first base. The flashing lights of the ambulance shoot adrenaline through my veins as I pound up the steps and hurl myself down the hallway toward the bedroom. They have Grandma on a gurney. One of the EMTs is popping his gum as they cinch the straps around her. Their movements are slow, mechanical. No rapid life saving measures, no rushing to the ambulance, no words; just Grandma hidden beneath a sheet and Grandpa floating nearby, his grey eyes vacant, mouth loose like he was about to say something but the words dribbled down his chin.
“Grandpa, what happened?” I ask, a sob tearing at my throat. Grandpa just stares at the crisp white sheet.
“What happened?!” I shout at the paramedics, as if demanding an explanation will right our world.
“Well, best guess is her heart just stopped,” the lanky young EMT says casually, as if he’s giving a weather report of sunny skies with high barometric pressure.
“How can that be?” I insist. “She was fine just last weekend!” My eyes plead with the gum-chomping fool for a response that makes sense.
“Well, ma’am,” he says, gazing just above my eyebrows, “we see this a lot in folks her age.” Same monotone. All in a day’s work.
I break down then, the full force of this incomprehensible scene crashing into me like a tidal wave. I stumble toward the gurney and gently pull back the sheet. My beautiful grandmother looks like wax.
After the funeral we bring Grandma home in a small square box and set her on the piano where she used to sing “Five Foot Two, Eyes of Blue” and “Chattanooga Choo Choo.” I set up camp at Grandpa’s house, and somehow the next few days limp forward in a Frances-less world. It rains. A thick fog settles into Grandpa’s eyes and he drifts away. He doesn’t eat, even when I serve him his favorites—Campbell’s tomato soup with saltines, tuna on rye, scrambled eggs with Swiss and scallions. All I can do is watch helplessly as he bobs offshore.
One gloomy pewter-sky morning Grandpa washes in with the tide and looks at me as if seeing me for the first time. “Where’s Frances?” he asks, bewilderment creasing his forehead. My throat tight with tears, I reach for his hand and remind him gently. The tide recedes; he goes with it. I have lost them both.
Sunday rolls in with clearing skies, and as I pad out to the sunny blue kitchen and put on a pot of coffee, the idea comes to me. I reach into the cupboard for the buckwheat pancake mix and haul out the cast iron skillet. I set two places at the yellow Formica table and place Mrs. Butterworth in the center. When I hear Grandpa mushing down the hallway, I set a cup of coffee by his plate and unfold the newspaper next to mine. Turning toward the stove I begin dropping dollops of batter onto the hot griddle. When the pancakes are nice and crispy around the edges, I scoop one up and flip it onto Grandpa’s plate.
“Here’s a bunny for you,” I say, kissing his bald head.
He chuckles, reaching for the syrup. I begin to read him the headlines. The obituaries can wait.


* * * * *

“Animal Pancakes” was first published in Flash Fiction Magazine.

Monday, 2 July 2018


Climate Change

by Julie Rosenzweig


Work, once a steady stream, is now either slow drip or
unmanageable gush. During lulls, your once-pinging inbox
hushed to life-support blip, you have time to sit by the window
overlooking the wadi, ponder the end of the Mediterranean

climate as you knew it. Mug of decaf in hand – caffeine no longer
your friend – you try to recall when exactly the wadi greened last
year, and the year before. Before Hanukkah, surely? Surely it wasn’t
(like this year) a greybrown smear of desiccation to the end

of winter break, the children enjoying a second summer while you
waited, and waited some more. (Kids barely around except for vacations,
another instance of drip/gush.) Now when the rains finally come you
doubt them, no longer easing into a season of lushness but steeling

yourself against its precipitate end, the end of precipitation.


* * * * *

Julie Rosenzweig is a Jerusalem-based translator, librarian, and mom. Her work has appeared in Literary MamaEunoia Review, the antiBODY poetry anthology, and the Times of Israel, among others.


Sunday, 1 July 2018


Little Rapists

Kathleen Murphey


Little boys, instead of telling them they’re made
“of snips and snails: and puppy-dogs’ tails” and all that implies,
today, we teach them to rape.
Females aren’t human beings like themselves;
they’re Tits and C*nts and Asses—
that exist to pleasure male dicks.

Coerce, coerce,
lie, flatter, and guilt—
Whatever it takes to score!
Round the Bases,
First, Second, Third, Home Run!
Now there’s even a Fifth.

“No” might matter to her.
To him, it’s just an obstacle to get through.
Coerce, coerce,
flattery and guilt,
“blue balls” will kill a guy.

He has to score.
Who cares what she wants—
she’s just a whore—
a means to pleasure his all-important dick.

Porn re-enforces the Hype—
Females pleasure Males—
whether they want to or not.
“No” means “Yes”—
she just doesn’t realize it, yet.

Males Take them,
they F*ck them,
they Screw them,
they Use them.

Slam her, Pound her, F*ck her
Ram her, Hammer-jack her,
who gives a sh*t about her?

She’s just there to pleasure his dick.
Her mouth, her c*nt, her ass—
whether she wants to or not.

And if she fights, it’s a scene from Porn—
she’ll like it in the end.
“No” means “Yes.”
It’s not rape—
It’s just sex—
and the guys are in control.
If He wants It,
He’ll have It.
F*ck Her!
That’s the whole point.
We teach boys to rape.

But Why?
Sex doesn’t have to be like that.
It can be tender and nice,
respectful and pleasurable
for both the girl and the boy,
the woman and the man.

But we don’t teach that.
We teach girls to be silent about what they might like,
and we teach boys to force themselves on girls—
we teach them to rape.


* * * * *

Kathleen Murphey is an associate professor of English at Community College of Philadelphia. Recently, she has been writing fiction (both short stories and poetry) on women’s and social justice issues. To learn more about her work, see www.kathleenmurphey.com