Saturday, 14 April 2018


Aromatherapy

by Betsy Mars


Hanging empty in the closet are the outlines of
the physical reality of you.
Frequently worn items spared or
not yet relinquished
to moths or good will. Just
your size, your style,
the outer shell of the outer you.
If I hold them up to my ear, will I hear the sea?
If I could fill them – especially
that purple ultrasuede coat that was custom made
for you –
would your earthly body return?

A few bottles of your nail polish solidify
in the medicine cabinet. Your favorite colors.
One last effort to maintain control
over one aspect of your beauty that the cancer
(which took your hair, bloated you,
took away your bladder control and your lovely legs)
could not destroy.
The pull of the bed finally 
caused your muscles and organs to atrophy but
your nails were your domain.

Mostly – most importantly – the remains of
a bottle of French perfume 
that was your staple when I was small
and you were 
an impossibly beautiful scented goddess
and I was my truer self. 
In awe of you always, one whiff upon cracking open
the cracking box is all it takes to reconnect
me with you, with me
as I ride home to myself on
an evaporating trail of fumes.


* * * * *

"Aromatherapy" was first published in the anthology A Poet Is A Poet No Matter How Tall: Episode II: Attack of the Poems (For the Love of Words, 2014).  

Author's note: This is one of the first poems I wrote when I resumed writing after a dry and difficult period in my life. I wrote it to submit to an anthology that a friend was compiling to raise money for a local children’s hospital. I was (and am) still coming to terms with both who my mother was and the fact that she is no more. This poem was first published as a prose piece in that anthology (A Poet Is A Poet No Matter How Tall: Attack of the Poems (For the Love of Words, 2014)). I decided to alter the form but not the content to emphasize various ideas. I have many possessions that I cherish, being fairly sentimental by nature, but the perfume my mother wore during my childhood still has the power to evoke a memory of her on an almost subliminal level, and I am very grateful that it still holds its scent. I wanted to give it, and her, a second life here.

Biography: Betsy Mars is a southern California poet who is in a perpetual battle with change – finally coming to some kind of a truce, and at times even love and acceptance. She is an educator, mother, animal lover, and over-excited traveler. Her poetry has been published in a number of places, both online and in print, most recently in Sheila-Na-Gig, The Ekphrastic Review, and Red Wolf Journal. Writing has given her a means to explore her preoccupation with mortality and her evolving sense of self.


Friday, 13 April 2018


Trickle Down      

by Lynea Search


I been tryin’ to hitch my wagon to a star
I never worked so many hours
And so hard
But I can’t even afford to fix my car
Well this trickle down sure isn’t
Tricklin’ down very far

I heard it on the radio at twelve
Said just one percent of households
Now own almost all the wealth
For years now they’ve been hoardin’ all the dough
Time to open up that money dam
And let that trickle flow

Trickle down,                           
Stocks and savings, trickle down
I’ve been workin’ all my life
To be on solid ground
Trickle down, House and Garden
A reward is owin’ to this workin’ clown

My dad and mom worked hard for little pay
They couldn’t save much money
Had to live from day to day
They never owned a home or went to Spain
Guess the only thing that trickled down to me
Was their name

Trickle down, 
Stocks and savings, trickle down
I’ve been workin’ all my life
To be on solid ground
Trickle down, House and Garden
A reward is owin’ to this workin’ clown

I thought this was the land of the free
And that all of us were blessed with
Equal opportunity
But I’m getting’ nowhere fast
It’s plain to see
That this trickle down sure isn’t
Tricklin’ down to you and me

Trickle down, 
Stocks and savings, trickle down
I’ve been workin’ all my life
To be on solid ground
Trickle down, House and Garden,
Trickle down
A reward is owin’ to this workin’ clown
Yes a reward is owin’ to this workin’ clown


* * * * *

© Lynea Search.



Lyrics with chords:


KEY OF G                    TRICKLE DOWN             © Lynea Search 1995

                   
                      G                                        A7                      D - D7     
1.) I BEEN TRYIN' TO HITCH MY WAGON TO A STAR
         
           Em                                     A                         D            G
I’VE NEVER WORKED SO MANY HOURS AND SO HARD
             
               G                        A7                                   D - D7
BUT I CAN’T EVEN AFFORD TO FIX MY CAR
                        
                            G                                        Em
WELL THIS TRICKLE DOWN SURE ISN’T TRICKLIN’
 
  Am7       D         G
DOWN VERY FAR!


2.) I HEARD IT ON THE RADIO AT TWELVE
SAID JUST ONE PER CENT OF HOUSEHOLDS
NOW OWN ALMOST ALL THE WEALTH
FOR YEARS NOW THEY’VE BEEN HOARDIN’
ALL THE DOUGH
TIME TO OPEN UP THAT MONEY DAM
AND LET THAT TRICKLE FLOW!

                                       
                                         G                                       C
CHORUS: TRICKLE DOWN, STOCKS AND SAVINGS,
  
   D                 G
TRICKLE DOWN

 G                                     Em
I’VE BEEN WORKIN’ ALL MY LIFE
       
       Am7                     D
TO BE ON SOLID GROUND
                    
                      
                   
                   G                                     C                                                             C
TRICKLE DOWN, HOUSE AND GARDEN [Last Ch: CORPORATE TAX CUTS]
   
 D/F#             G
TRICKLE DOWN
     
        G                   Em     Am7          D                G
A  REWARD IS OWIN’ TO THIS WORKIN’ CLOWN


INSTRUMENTAL BREAK – Verse Chords


3.) MY DAD AND MOM WORKED HARD FOR LITTLE PAY
THEY COULDN’T SAVE MUCH MONEY,
HAD TO LIVE FROM DAY TO DAY
THEY NEVER OWNED A HOME OR WENT TO SPAIN
GUESS THE ONLY THING THAT TRICKLED DOWN
TO ME WAS THEIR NAME!


REPEAT CHORUS


4.) I THOUGHT THIS WAS THE LAND OF THE FREE
AND THAT ALL OF US WERE BLESSED WITH
EQUAL OPPORTUNITY
BUT I’M GETTING NOWHERE FAST, IT’S PLAIN TO SEE
THAT THIS TRICKLE DOWN SURE ISN’T TRICKLIN’
DOWN TO YOU AND ME!


REPEAT CHORUS – Repeat Last Line

Thursday, 12 April 2018


Options Have Changed
 
by Roberta Brown


No one can speak with you now
but your call is important to us.
Please listen carefully
as our options have changed.

This year, Passover begins on Good Friday.
The angel of death passes over the house
whose lintel is swiped with lambs’ blood:
but how many lambs and how much blood?
Your call is important to us.

For God so loved the world that--
Connecticut kindergartners who
would have been bar and bat mitzvahed this year,
or who missed their first communions at 7 or 8---
lie shot in the head, the chest, tender flesh shredded--
No one can speak with you now.

Why is this night different from all other nights?
Please listen carefully.

Elijah’s is not the only empty seat.
There are now many empty places.
Tables ringed with unoccupied chairs
forever untouched.
Oh, but your call is important to us.

He gave his only begotten son
(Pulse-Vegas-Parkland)
That whosoever believeth in him
Shall not perish--
but our options have changed.

Father, if You are willing, Take this cup from me . . .
Pour the red wine for Elijah.
Let it stand in his glass through dinner.
Let it stand in their glasses forever.

Emma, David, Cameron, and Delaney,
your call is important to us.
We heard you say Saturday
that our options have changed.


* * * * *

Roberta Brown ã2018 All rights reserved. No use without written permission of the author.

Roberta Brown is an Assistant Professor of English Composition at Western New Mexico University in Silver City, New Mexico.

Wednesday, 11 April 2018


Jenny Mahoney

by Matt Dennison


There's a bird spine in my tongue, dear—
you should know this—bristling from root
to tip. I think it wants to fly, or sing,
but it hurts me with its thrusting.
Or maybe it's an eel spine, flat
on the cutting board, flapping its ribs
in the Protestant squeaks of my
dead mother's tongue.
You can't hear it but it deafens me.
Either way, a horse pulled a rock
from the Widow Murphy's farm yesterday.
Did you hear? No? Of course all the men
helped, the sweat of themselves running
like tadpoles over sun rocks, pushing,
pushing so hard. I imagine they died
in a mountain of themselves afterward
and were glad for it. I know I would've.
What would you like for breakfast, Macree?
Slam whiskey? I'll pour, but don't watch.
They've been slurred, these piano-hands,
now old-woman graspy hands. Not one
muscle on a string-bone left, I'm afraid.
I'd play if I could. You used to like it,
but it's hard playing with life being lived
when I see it and I do, whereas visiting
those tombs you despise on a Sunday
puts me in continuum, the black paper
of my birth certificate polished, ordained.
Here! Look! For the first time I know who
my father was! That ragged little bastard
I adored with the precision of a corpse!
He fed me, clothed me, bought me shoes—
himself a poor man! Called me his twelve-cent
chicken painted till it weighed forty pounds
then plucked me and set me free. Two reasons
he had: slaughter horses to contain the wiggle
of my mother or smoke muscles to improve
the curse of life's meaning. All our favorite
bills are due. I'd liked to have been a rich baby,
fed butter and cream. Sin to admit, for it would be
eccentric of the innocent to admit their crimes.
I would like still to be a rich baby. Worse to admit.
I've been thinking about our future and the baby's.
I've decided both should be yellow.


* * * * *

After a rather extended and varied second childhood in New Orleans, Matt Dennison’s 
work has appeared in Rattle, Bayou Magazine, Redivider, Natural Bridge, The Spoon 
River Poetry Review and Cider Press Review, among others. He has also made short
films with Michael DickesSwoonand Marie Craven.

Tuesday, 10 April 2018


Love Shampoo

by Lesléa Newman

                                   
gleams in your palm
a dollop of opal moon
slathered, it lathers
you into a Roman goddess
a marvel of marble
sleek, slender, and smooth
all your worries whirling
and swirling down the drain

refreshed and dressed
you seize the day     don’t
be surprised if you turn
heads as you saunter down the street
there has never been anyone
more lovely than you


* * * * *

“Love Shampoo” copyright ©2018 Lesléa Newman from Lovely (Headmistress Press, Sequim, WA). Here is a book trailer for Lovely: https://www.youtube.com/watch?v=Fh27-KoGS84.

Lesléa Newman is a poet, fiction writer, essayist, children’s book writer and anthologist whose 70 books include the poetry collections, Still Life with Buddy, Nobody’s MotherSigns of Love, and October Mourning: A Song for Matthew Shepard (novel-in-verse) which received a Stonewall Honor from the American Library Association. Ms. Newman’s literary awards include poetry fellowships from the National Endowment for the Arts and the Massachusetts Artists Foundation; the Burning Bush Poetry Prize; and second place runner-up in the Solstice Literary Journal poetry competition. From 2008-2010 she served as the poet laureate of Northampton, Massachusetts. Currently she is a faculty member of Spalding University’s low-residency MFA in Writing program. A recent poetry collection, I Carry My Mother, received the 2016 Golden Crown Literary Society Poetry Award and was named a “Must-Read” title by the Massachusetts Center for the Book. Her latest book is Lovely (Headmistress Press, Sequim, WA).

Monday, 9 April 2018


Seduction In Red

by Lesléa Newman


Like six-inch red heels on a Hollywood starlet
Like glistening strawberries baked in a tart
Like elegant nails painted this side of scarlet
Like two strands of rubies worn close to the heart
Like a crystal glass full of expensive red wine
Like a cherry convertible bought on a dare
Like sun-ripe tomatoes too plump for the vine
Like freshly washed shoulder-tossed smooth auburn hair
Like the blush of a bride as she walks down the aisle
Like a bracelet of garnets clasped onto a wrist
Like the lips of a lover curved up in a smile
Like two tender nipples right after they’re kissed
Like a crimson silk slip tossed aside in the night
Like that first apple Eve held for Adam to bite


* * * * *

“Seduction in Red” copyright ©2018 Lesléa Newman is from Lovely (Headmistress Press, Sequim, WA). Here is a book trailer for Lovely: https://www.youtube.com/watch?v=Fh27-KoGS84.

Lesléa Newman is a poet, fiction writer, essayist, children’s book writer and anthologist whose 70 books include the poetry collections, Still Life with Buddy, Nobody’s MotherSigns of Love, and October Mourning: A Song for Matthew Shepard (novel-in-verse) which received a Stonewall Honor from the American Library Association. Ms. Newman’s literary awards include poetry fellowships from the National Endowment for the Arts and the Massachusetts Artists Foundation; the Burning Bush Poetry Prize; and second place runner-up in the Solstice Literary Journal poetry competition. From 2008-2010 she served as the poet laureate of Northampton, Massachusetts. Currently she is a faculty member of Spalding University’s low-residency MFA in Writing program. A recent poetry collection, I Carry My Mother, received the 2016 Golden Crown Literary Society Poetry Award and was named a “Must-Read” title by the Massachusetts Center for the Book. Her latest book is Lovely (Headmistress Press, Sequim, WA).


Sunday, 8 April 2018


Co-Evolution
a love poem to canis familiaris

by Lisa Fields


I wonder if you sensed
the consequence
agreeing to be domesticated
in your eyes,
a spark of wildfire
the tale
of our co-evolution
devotion to you is easy
despite my struggle with your language
you have become hard wired
through these 10,000 years
to read human emotions
the haze of dancing molecules
encircling me
unseen by other humans
at times
overwhelms you
I see it in the rapid lift of your eyebrows
the quick shifting of the whites of your eyes
wisdom leads you to rest
unless I fail you
and push with primate
obtuseness
I can only look at the places
you bound to
effortlessly,
never ridiculing my awkward form
how slow I am in learning
to understand you
in this cumbersome awareness
I find gladness
in honoring your primal need
the deer leg in the yard,
tearing of rabbit flesh
the deep quiet of your rest
satin chin on my leg
the awe of your
constancy


* * * * *

Lisa Fields is a contract agricultural journalist for Professor Quirine Ketterings, and occasionally others at Cornell University, Ithaca, NY.