Tuesday, 3 November 2020

What's Fixed

by Charlotte Hamrick


My heart and psyche

after too many years
of discontent, when
my way was as lost
as a specter in the house
where it died. 
There is no stability
in this life, no safety net.
But there is the long slow
back rub of time to heal
the broken parts, smooth
over the scars, and newborn
empathy for the woman
who almost didn't make it.


* * * * *


"What's Fixed" was written in response to Dorianne Laux’s “What's Broken.”

Charlotte Hamrick’s creative work has been published in numerous online and print journals, most recently including The Citron Review, Flash Frontier, and Emerge Journal and was a Finalist in Micro Madness 2020. She reads for Fractured Lit and was the former CNF Editor for Barren Magazine. She lives in New Orleans with her husband and a menagerie of rescued pets.

Monday, 2 November 2020

DIA DE LOS MUERTOS

by Joan Colby


It is the Day of the Dead
And I have no sugar skulls to offer,
No tequila, no red flowers,
Only the memory of your rictus,
Mouth open as if to curse.
I thought you were still living,
Small intestinal whispers,
But Gabriella said no, closing your eyes
With her palms. I would rather
Remember you, young in an apron
And your maroon sweater, making Welsh rarebit
For Friday supper. The cheese edged brown
On the toasted bread.

Today a raw drizzle and the oak leaves
Falling in a slow mournful chorus.
All Souls Day is what we called it,
This time of recollection. You had
Green eyes, black hair. I know now
You were pretty though as a child
I saw you as worried, a cigarette
In your stained fingers or a rosary.

On the Day of the Dead, the Madonna
Is honored. Or Santa Muerte
Who loves the assassinated.
The piƱata of recollection
Breaks open and everything falls
Randomly. How eagerly we grasp
What we can. Mother, I can’t believe
What you believed. The better place
With your family gathered; someone about
To carve the turkey, your sister’s famous
Lemon meringue pie.

None of this matters on the
Day of the Dead. It is finished.
They carried you out on a gurney
Like a parcel. I wept with sorrow
And relief. It was over, your life that had
Diminished to a chair and a bed.
You were content, you said.
I was not. Shamed that I hated
This transformation. How you
Perpetually saluted the
Empty air.

On the Day of the Dead, the dead
Rise in my dream: Mother,
Father in the ’41 Dodge singing off-key
As we drive through the Big Horns
Where years earlier the radiator
Of the Model-T boiled over.
They filled paper cups from a
Mountain creek laughing.
I wasn’t born then. I was still
Where the dead are.


* * * * *

"Dia de los Muertos" was first published in Gargoyle (Vol. 71, 2020)

Joan Colby’s Selected  Poems received the 2013 FutureCycle Prize and Ribcage was awarded the 2015 Kithara Book Prize. Her recent books include Her Heartsongs from Presa Press, Joyriding to Nightfall from FutureCycle Press, Elements from Presa Press .and Bony Old Folks from Cyberwit Press.

Sunday, 1 November 2020

This month there is an additional Moon Prize, the sixty-third, and it goes to Tobi Alfier's prose poem "A Slice of Ruby." 


A Slice of Ruby

by Tobi Alfier


Ruby lived by swampland all her life. Tourists sometimes said it with a sneer: it smells, it’s dirty, but they said the same thing about New Orleans. They said the same thing about Paris! Well her well-loved landscape wasn’t dirty, wasn’t dangerous because of outlaws and crooks, and didn’t smell like piss. You just had to watch out for gators and mosquitos, but she learned that young. And she learned to stay away from the juke joints on Saturday nights—she was a pretty little thing, and sometimes alcohol could do things to a man that they’d regret come church on Sunday. Ruby had on occasion had her back pushed up against the outside wall, music and stompin’ bursting out the open windows, but men knew her uncle, and Ruby carried a knife, and even the strongest barrel-made moonshine didn’t have a chance to work them up stupid before some angel on their shoulder beat the hell out of the devil in their pants.

Such a contradiction in this haunted, mesmerizing medley of greens and golds, shot through with sun rippling the water—while every street sign and neon drive-thru was shot through to hell with buckshot, the writing instrument of anyone over 16 with a truck and a gunrack. Ruby was getting’ on that age but still she walked to school each morning, her bare toes squishing in the track, sometimes dry as bones, sometimes muddy with last night’s rain. She didn’t care. And yes her muddy feet said she was poor but also said she loved the earth, and she loved school. Ruby carried her lessons in the backpack her older sister Jade picked up last August at the church donation and give-away. But Jade decided she’d had enough, carried herself north with a boy who was leaving to make his mark in Nashville, one guitar, a banjo, a baggy full of change, and two phone numbers written on a matchbook from the nudie bar where he subbed sometimes— after the real musicians got too drunk to stand. Jade packed just a few things in a shopping bag, left the tell-tale charity backpack at home, and Ruby grabbed it for at least one more year of writing sums, practicing her letters and carrying any books she could get. Reading under the covers at night, flashlight illuminating the pages, was her favorite way to spend an evening, and she didn’t need to make no apologies for that.

Mama worked hard to make a good life for her girls. She told everyone she’d married too young and too wrong; she gave up on Jade once she given them all the slip, but didn’t want the same to happen to Ruby. So Mama cooked, and swept, and worked her ass off in the local hunter’s motel, the one with sheets faded yellow the color of dirty blonde whore hair. And she always kept a little cash hidden in a biscuit tin in the pantry, just in case. Ruby tried never to take it, she always thought of it as Mama’s getaway money. She borrowed a bit once a year to buy a couple pairs of underwear—she couldn’t go commando to gym class. Otherwise she didn’t need nothing. Everything was there for her among the willows and the wild skies. Her people, her stories, ties for her hair and a swimming hole. Whatever else does anyone need.


* * * * *

"A Slice of Ruby" was first published in
Better Than Starbucks (November 2018) and is in Tobi Alfier's poetry collections Slices of Alice (Cholla Needles Arts and Literary Library, 2018) and Symmetry: earth and sky (Main Street Rag, 2020).

Tobi Alfier is a multiple Pushcart nominee and multiple Best of the Net nominee. “Slices of Alice & Other Character Studies” was published by Cholla Needles Press. “Symmetry: earth and sky” was just published by Main Street Rag. She is co-editor of San Pedro River Review (www.bluehorsepress.com).

 

Saturday, 31 October 2020

On this lovely Halloween Blue Moon, this month's Moon Prize, the sixty-second, goes to Raine Geoghegan's poem "The Lungo Drom." 



The Lungo Drom*

by Raine Geoghegan


Bare,
blistered feet.

She walked
over stone

on grass
through thicket and brush
in water,
snow,
flowers and mud.

Her hair grew long,
flowing like a river.
Tiny silvery fish latching
onto each tendril,
longing for the open sea.

At night
she slept in bushes, caves, beside trees.
She dreamt of fire.

She drank from streams,
picked heather, lavender, rosemary for healing,
exchanged them for bread,
kept on walking.

Her hair turned white.
Her bones thinned.
Her body bent over
and her eyes grew weak.
Still she kept on moving.


One early morning under a mottled sky
she stopped.
The moon shone in her body.
Light fell on the ground
and she knew
this was her atchin tan.


* * * * *

Romani jib (words):  The lungo drom  -  the long road; Atchin tan  -  stopping place/home

"The Lungo Drom" was previously published in the Words of the Wild anthology 2018.

Raine Geoghegan, MA is a poet and prose writer of Romany, Irish and Welsh descent living in the Malvern Hills, UK. She is a Pushcart Prize, Forward Prize and Best of the Net 2018 nominee. Her work has been published internationally in print and online with:
Poetry Ireland Review; Under the Radar; The Travellers’ Times and many more. Her first pamphlet, Apple Water: Povel Panni was launched in December 2018 and previewed at Ledbury Poetry Festival in July 2018. Her latest pamphlet, they lit fires: lenti hatch o yog is out now with Hedgehog Press.

 

Friday, 30 October 2020

40/40

by Melanie Zipin


it’s been much more than 40 days
of waiting – holding our breath
the shoreline
drifting farther
away
more than 40 nights
of hugging – some too tightly
others, not at all 
maybe
never
ever 

capsized boats
adrift
in an angry sea
…

in numerology
the number 40 is a square
follow the lines
around
not like a circle
diligently
corner to corner
but rules change
and you are stuck
in the corner
timeout
until…
you learn your lesson
if you ever do
…

so many Rules
wash your hands
don’t touch your face
or anyone else’s

Quarantini is a drink
because we need one
to make something
out of – it

so we don’t forget
how to breathe
but for now –

hold your breath
…

zoom – no thank you
they say – it’s for the best
better than nothing

don’t walk into the apocalypse
don’t stay locked up forever

is it a global game of hide and seek
listen…
come out, come out –
wherever you are
…

another day on pause…
no!
            for joy
            for appreciating what you have
            what you miss
            what you love
            what you hold dear
            what you will fight for

I never cooked
until the pandemic
I’m getting good
well, I’m getting better
…

listen
before replying
think
before repeating

insisting
you know
what you don’t

impossible
becomes vital

simple and complex
play tag

all the while
is all we have

and I hear the call
and answer –
all aboard
or was it
overboard
…

feels like
quicksand
but the shore
feels like
death

which way to go
feast or famine
yes or no
all or nothing

I don’t believe
any of that

I hold you close
we lay on the edges
winking at stars
…

Virus Fatigue
I’d rather die!
But you wouldn’t
You are being dramatic
Because you had it so good
Before
But you didn’t know it
And now –
You do
So try to appreciate
What you have
Before –
It is
Too
Late
…

I will mask my face
But not my heart
glove my hands
but not my touch
cover my mouth
but not my kiss
stay my body
but not my soul

open my heart
leave it raw
feel everything
from afar
…


* * * * *

Author's note: A writer/friend who was putting together a piece for our local arts and leisure paper, Desert Exposure, asked myself and other writers if we were interested in contributing one 40-word poem about quarantine, the structure – based on the etymology of the word. 

At first, I wasn’t sure if I liked the idea of confining concept to structure, but then, I felt intrigued –and shortly after, compelled; especially because the word itself implies confinement. I accidently wrote nine 40-word poems. I submitted one and told my cohorts at Virus Theater about the project. They thought it would be a good undertaking for Virus Theater’s Patreon launch. It was decided to video the poems and present them to the public as the first offering. Here is a direct link to the video result:
https://www.youtube.com/watch?v=wNVzNu1QDUo&feature=emb_logo

About the author: Finding beauty, even solace, in the everyday, multi-media artist, Melanie Zipin, composes her musings from the material that surrounds her. Taking an early departure from her inner-city roots, the high deserts of New Mexico provide ample opportunity for such an introspective watcher. Her writings are an amalgamation of joy and sorrow, reflecting on the commonality of our individual contrast.

Zipin has one son and lives with her husband, far from the concrete, thankful for the rainwater that sustains them, in a house they built from hand-piled mud, where she makes art and music, and writes and writes and writes.


Thursday, 29 October 2020

Exit

by Gloria Mindock


I hide from you in ways
you’ll never know.
In this empty house, it is easy.
You were condemned a year ago
because the sky went dark—
stars exiled.

All life is dying, even the pavement
we walked on.
Ok, this is a lie,
but is it?

I sit on the same porch everyday
wondering how many times you will
go out, come in.
A dance of the angry.
No perception of song.
A bleak fire burning on the stove,
in the fireplace, in your eyes.

Your skin will not provide an exit wound.
Stay miserable.
Aloneness is verified.
You open your mouth to talk but can’t.
The void looms deep, scorched
like the desert blowing aimlessly.


* * * * *

"Exit" is from Gloria Mindock's poetry collection Ash forthcoming from Glass Lyre Press.

Gloria Mindock is editor of Cervena Barva Press. Her sixth collection of poetry called Ash is forthcoming from Glass Lyre Press. Gloria has been translated and published into eight languages. She was poet laureate in Somerville, MA in 2017 and 2018.

 

Wednesday, 28 October 2020

The Crosses

by Gloria Mindock


We have broken crosses
in our drawer.
Why are they still here?

It is a sin to throw out the symbol
of Christ.
We would fall from grace.
The sacraments received on Sunday
would be for nothing.

So here they are, buried by papers,
screws, ink pens, pennies, a few rubber bands—
How sad. Christ defending himself
from junk.
Where is his heart?

Take the crosses out.
Let him breathe.
Put the pieces in every room
out in the open, each one
giving testimony to your life.


* * * * *

"The Crosses" is from Gloria Mindock's poetry collection Ash forthcoming from Glass Lyre Press.

Gloria Mindock is editor of Cervena Barva Press. Her sixth collection of poetry called Ash is forthcoming from Glass Lyre Press. Gloria has been translated and published into eight languages. She was poet laureate in Somerville, MA in 2017 and 2018.