a
collection of convos & conversations :: of (bodily) loss, light, & life
by Jen Schneider
1. lights out
back in the day, i’d paint lips of moisturizing cream & berries then lie,
face up / backside down. lodged in soft grass, beatles streaming, also crawling
& trace belts in & of star-lit skies. orion would call & i’d
answer. his voice clear, no matter the weather. now, night wages war & i
fight dawn with masks of multiple cotton & faux satin layers. restoration
chronicled by black out shades & sleep-inducing foam. memory made. ears
plugged.
2.
ear worms & static
i don’t know when the nightly ritual turned to an extended metaphor, but the
sounds have gone with the lights. what’s that. louder. again. cycled
& recycled. as the dryer turns. vents gather layers of dust. until the
repetitive phrasing becomes simply repetitive & i tune out. i’d move closer
but distancing is in vogue & i prefer to be trendy. bodies of limb &
layers go limp. they’re relieved. it’s easier to pretend it’s not thundering.
easier to count silently & watch/wait/wonder as lips settle. only nothing’s
easy & pretending is often just as exhausting as not. dusk comes early.
& earlier.
3.
repetition hurts
muscle memory beats as melodies morph. b chords meet belts. chords of g taunt
times of glee. high & low tides pulse. tempos & tempers persist. pallets
perform parades of nighttime happenings. limbs twist. legs tangle. music turns
dark. silver bands on fumbling fingers linger.
4.
batter up
batter of butter, egg, & almond flour would sizzle then solidify as the
trio touched the sizzling griddle. oil & water may not mix, but butter
& eggs sure do. there’s two sides to every pancake, she’d muse as
the spatula clinked against the lime green bowl. which side is better,
i’d ask as she would flip the cake & tell me they’re also known as
flapjacks. one day, the flip fell flat & the jack hit the floor. the dog,
its nose always to the floor, ran away with the goods & some runaway batter
hit my nose. my nose sizzled, then turned red. she tapped my shoulder, wiped
the stray batter, then asked me why i blush.
5.
on daily news & clippings of curious characteristics
i’d scour soil for lady bugs as phases of the moon morphed. cut coupons &
clip fabric on laundry lines at lunchtime. collect aphids on discarded fabric
after dinner.
6.
on & of shared letters
all words contain at least one vowel.
adopt & adapt share all but one letter.
a, e, i, o, u.
swap a & o
exchange u & i
I.O.U.
7.
of missteps & mistaken oops
i guess i should have cleaned the mess the night he made it, but it was dark
& the mess small. everything’s more visible at dawn. i thought. sure i’d be
able to retrace all steps & collect what he left behind. turns out that
dawn is as relative as dusk & by the time i returned to the field i had
both distanced myself from his doings & managed to birth bigger messes. new
tracks traced loops around the small pile. they look like cashews, i once
said. easy to identify, another added. we’ll catch ‘em, a third
agreed. i wish i had the courage to confess & clarify. instead, i cussed
& claimed i forgot my phone. carry on, i called. then whispered. everyone
poops.
8.
game night.
Chutes and Ladders was a Friday night favorite. A game of cat and mouse. Up
ladders. Down slides. Domination fleeting and game play nothing more than a
matter of perspective. Fingers click plastic spinners. Bodies of manmade
material march. Time turns. And then the dog eats the small red plastic marker
and time stands still. No one able to move. Everyone perched then frozen at the
intersection of competitive game play & congested airways.
9.
of eyes :: to be (un)seen
oscar meyer sweetly
soiled, slightly salted
bologna on wonder bologna
on wonder
wrapped in clear cellophane wrapped
in slick conversation
twenty-twenty obstructed
vision
vision, when i crave of
near & far proportions
not to be seen when
I crave sight (& light)
10.
gas lights
the
gas light burned most mornings. hard boiled eggs. pots of strong coffee. most
evenings too. sirloins cooked over high heat. “she’s gas lighting you,” the
voice on the other end of the tightly coiled rope, the one twisted tightly
around your pinky finger, warned. “no, i don’t believe so. not yet. not really.
no matter.” the gas light burned most mornings. most evenings, too.
*
* * * *
Jen
Schneider is an educator who lives, writes, and works in small spaces
throughout Pennsylvania. Recent works include A Collection of
Recollections, Invisible Ink, On Habits & Habitats, and Blindfolds,
Bruises, and Breakups.
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