Dopo
mezzanotte!
by Marina
Kazakova
Dopo
mezzanotte!
Dopo,
dopo!
The door
pops open,
out of the
dust
the ocean
unfolds
under the
ropewalker’s
high gloss
black
shoes.
He floats
among the
buoyant atoms-
the iron
nerves of muscled Brussels,
silenzio
fulfils
The Place Royal -
no
traffic,
only the
cinema of
sinking
smiles
of women,
oh, excuse
me,
of
“things”
behind the
glass windows,
brought to
the citadelle
of
cultures,
oh sorry,
to the
“Grand Market”
to sell
the bodies -
the live
sculptures
of Gare du
Nord.
The
Captives,
in search
of lost hopes,
observed
by some,
ignored by
all,
the
poultry
living
decades of years
under
the
artificial lights,
in high
temperatures
of
pre-Renaissance
“battery
cages”,
not far
from new headquarters
of Europa
-
a gorgeous
post-modern
Space Egg,
built up
of
thousands
of windows,
recycled
and
brought from every member state -
a
cleaner's nightmare,
a symbol
of new
life,
the
victory of light -
Buon
Giorno!
The door
gets closed,
the
ropewalker
becomes a
cock
sitting
among
the
poultry,
eating his
business lunch...
Vivo,
vivo
mezzogiorno!
* * * * *
Marina
Kazakova (b. Gorky, 1983) is a writer, poet and audio-visual artist in Belgium.
Published internationally in magazines and journals (Three Rooms Press' Maintenant, AntiNarrative Journal, Crannog),
Marina is a frequent performer. She has been shortlisted at different
poetry/film-poetry competitions and was awarded various prizes. She is author
of verse novel Tishe...Piano, the
film adaptation of which was shortlisted for International Short Film Festival
Leuven 2013, Miami Indie Wise Festival 2018, XpoNorth Festival 2018, and got
‘The Best Narrative Short’ Award at the International Film Festival behalf
Savva Morozov in Moscow in 2015. Her literature works deal to a large degree
with confrontation with the past and explore the challenges posed both by
memory and grief. In addition to poetry, Marina has written essays and articles
for such publications as The Word
Magazine (Brussels), Culturetrip. com,
Seanema.eu. Marina holds a Master in Public Relations and in Transmedia.
Currently, she is Communications Officer at ‘Victim Support Europe’(Brussels)
and working on her practice-based PhD in Arts “Lyric Film-Poem. A research on
how the unique characteristics of lyric poetry can be expressed in film” at
Luca School of Arts (KULeuven).
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