Family
Photo
by
Gail Rudd Entrekin
In
the old photo of people no one here remembers
the
bride, slim and wistful in her pillbox hat with veil,
stands
beside him at the coffee urn in a sleeveless,
belted
summer white, nothing especially bridal but the veil,
and
gazes off, slightly smiling, into the middle distance,
bemused,
almost knowing.
And he, in a good suit, white cuffs
with
shiny links, handsome, tall, saying something funny
to
someone on her other side, off camera, lightly holding
her
uplifted finger tips above her wrist corsage, is unaware.
He
has one eye patched, the first thing you notice in the photo,
and
you have to wonder what reckless moment brought him that
(he
looks like that kind of guy), what unconsidered acts are yet to come.
but
on a different plane, sensing, almost comprehending, her mistake.
*
* * * *
Gail Rudd Entrekin
is Poetry Editor of Hip Pocket Press and Editor of the online environmental
literary magazine, Canary (www.canarylitmag.org). She is Editor of the poetry anthology Yuba Flows (2007) and the poetry
& short fiction anthology Sierra Songs & Descants: Poetry &
Prose of the Sierra (2002).
Her poems have been widely published in
anthologies and literary magazines, including Cimarron Review, Nimrod, New Ohio
Review, and Southern Poetry Review, were finalists for the Pablo Neruda Prize
in Poetry from Nimrod International Journal in 2011, and won the Women’s
National Book Association Award in 2016.
Entrekin taught poetry and English
literature at California colleges for 25 years.
Her books of poetry include The
Art of Healing (with Charles Entrekin) (Poetic Matrix Press 2016); Rearrangement of the Invisible, (Poetic
Matrix Press, 2012); Change (Will Do You Good) (Poetic Matrix Press,
2005), which was nominated for a Northern California Book Award; You Notice the Body (Hip Pocket Press,
1998); and John Danced (Berkeley
Poets Workshop & Press, 1983). She
and her husband, poet and novelist Charles Entrekin, live in the hills of San
Francisco’s East Bay.
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