Sunday, 20 January 2019


The thirty-second Moon Prize for the January 20, 2018 full moon goes to Ellen LaFleche's moving prose piece "The Mourning After," posted here on January 3, 2019. It is a stunning piece of self-examination and self-revelation that may just be a guiding light for others still blinded by the darkness of grief.



by Ellen LaFleche


In the summer of 1984, I sang Happy Birthday to the young man I was dating. I never sing in public because I can't carry a tune and have a memory of a frustrated teacher whacking my head with a rolled-up sheet of music. The young man blew out the candles, looked up at me, and said, "You have the sweetest voice ever."

I married him.

After our wedding in 1985, we settled into ordinary life. We bought a house, had a daughter, juggled work and family, argued over missing toothpaste caps. We shared values of social justice and community service but had differences that challenged us in big and small ways. A sampling of these differences, with my traits on the left and his on the right:

Ridiculously outgoing vs. naturally shy.
Thrifty vs. spend-y.
Night owl vs. morning person. (He got up two hours BEFORE the cat. Before!)
Hates being cold vs. believing the electric blanket is a medieval torture device.
Boston Red Sox vs. Detroit Tigers fan.
Pessimist vs. optimist, meaning my default emotion of anxiety clashed with his philosophy of “don't worry, be happy.”

Our first argument went something like this:

Him: Why do you talk to strangers everywhere you go?
Me:   Because they're there.
Him:  Didn't your parents teach you not to talk to strangers?
Me:    Haven’t you noticed? My parents talk to strangers all the time! It’s genetic.
Him:  Well, it makes me uncomfortable. I wish you wouldn’t do it.
Me: You’re asking me to change my basic personality and my genetics!
Him:  Well, just try.

Twenty years into our marriage, John began to experience strange symptoms. On the day of our daughter’s wedding, he couldn’t fasten his cufflinks or button his tux. Knowing my default emotion is anxiety, he tried to hide his increasing muscle weakness. He switched to pullover shirts so he wouldn’t struggle with buttons. He would scan a room before walking through it, strategically holding onto walls and furniture as he proceeded. I thought he had developed a strange OCD habit but he casually mentioned that he needed time to balance himself before taking a step.

He withdrew emotionally and spent his spare time alone, drawing illustrations on legal pads or listening to music in the privacy of his headphones. I experienced extreme anxiety. I described these feeling as knowing an asteroid is headed for earth but not knowing where or when it will strike.  After years of medical appointments, and several misdiagnoses, John was told he had ALS (Lou Gehrig’s disease, popularized by the Ice Bucket Challenge in 2014). ALS is a fatal disease that causes progressive paralysis; death usually occurs when the muscles that control breathing begin to fail. Coming to terms with a fatal diagnosis required us to do what I called pre-grieving. We reflected on our marriage, on the beautiful family we had created, including our newborn grandson, Jackson. We pre-grieved together, drilling into our feelings and enjoying small pleasures: watching baseball, doting on our newborn grandson, having lunch at the local diner. John had spent his career working with old people as director of our local senior center. He’d always looked forward to growing “old-old,” believing the challenges of aging could be met with grace and joy. He was devastated to know that he would pass away in his sixties and would not be there to give grandfatherly advice to our grandson.

The neurologist estimated that John would live one to two years after diagnosis. But his disease moved at warp speed. Three months after the diagnosis, my daughter and her family moved into our house to help with end-of-life care. The phone rang, friends and neighbors dropped by with food, our cell phones beeped with text messages. The baby cried, we bickered over whether to turn on the TV or not. ALS paralyzed John’s throat muscles and in the last weeks of his life he could not swallow or speak. A musician who works for our local hospice set up her harp in the sickroom and comforted us with heavenly sounds. My daughter and I hugged each other and wept at the beauty of her music.

A few days before he died, I told John that I forgave him for anything he might have done to hurt me. “And I hope you forgive me for anything I might have done to hurt you, especially my cooking.”  He grunted out a kind of laugh. Our daughter leaned over the bed rails and stood there for hours, reading him poems by his some of his favorite poets – Seamus Heaney, Mary Oliver, Wallace Stevens.  Our son-in-law shaved John and measured morphine doses.

John died at home on January 16, 2014. At his memorial service, people advised me to find comfort in the joyful memories I had banked. I hated that cliché. My grief was so raw that joyful memories were too painful to remember, let alone provide solace. When someone told me “He’s in a better place,” I cried out that he was now inside an urn. “What kind of a place is that?” I wanted to know.   

John’s death was bracketed by the loss of my dad two months earlier, and the sudden loss of my only sibling three weeks after John. Overwhelmed, enraged by the feeling that fate was picking on me, I sought counseling. The therapist explained that the fullness of grieving means taking time - years, not months - to understand the lost relationship in all its sorrows and joys. I learned that the best parts of a marriage can be the faults and foibles, the big and small differences, even the sorrows. Navigating those differences can be the heart of a relationship, the good stuff, the joy. I’m not writing this essay wearing a pair of rose-colored glasses. (I realize that not everyone can navigate their differences; also, none of this applies to relationships involving abuse). We had hardships – real hardships - that triggered less-than-perfect behaviors and the full range of emotions, including anger, despair, even moments of hatred toward each other.   

Early in the grieving process, while trying to fully understand our relationship, I focused on forgiving his faults and foibles. What a magnanimous feeling that was. There was the time he’d re-arranged my closet alphabetically by the first name of each designer. I came home to find an Abercrombie shirt hanging next to a Betsy Johnson dress next to a Calvin Klein skirt (items I had thriftily plucked from yard sales and thrift stores). I yelled and yelled. He calmly closed the windows so the neighbors wouldn’t hear my shrieks.    

My therapist helped me to realize that alphabetizing my closet was a creative way for him to let off steam after a stressful day at work.  In the comfort of her office, I was able to (mostly) laugh at the escapade. John’s OCD made sense to him in the same way my extreme thriftiness makes sense to me. The fullness of grieving forced me to acknowledge my own faults and foibles. There was our 10th anniversary dinner at an Indian restaurant. Our food sizzled on our plates, releasing the fragrance of saffron, curry, lamb. On the way home, John pointed out that I had ignored him during the feast. I’d been too busy chatting with the hostess, the waiter, the acquaintances sitting next to us. I’d even invited those acquaintances to push their tables next to ours, which they did. Our romantic table for two had become a table for four! I had to acknowledge that my relentlessly outgoing nature strained our marriage. John was painfully shy and felt embarrassed, even jealous, when I chatted with strangers.   


Shining a light on my own faults wasn’t an enjoyable endeavor. But it was crucial to grieving and healing. An unexpected benefit of this fault-finding expedition was a deeper understanding not only of myself, but deeper insight into how relationships work (not just romantic ones), and a tenderizing of my capacity to love. Many of the books about grief get it wrong. Grief doesn’t end after that mythical “six months to a year” deadline. It is a lifelong journey. A grueling, tear-soaked process (there will be setbacks, maybe even despair), the price we pay for loving someone.


* * * * *

Ellen LaFleche is the author of three chapbooks: Workers' Rites (Providence Athenaeum), Beatrice (Tiger's Eye Press) and Ovarian (Dallas Poets Community Press). She won the Tor House Poetry Prize, the New Millennium Poetry Prize, the Hunger Mountain Prize, and the Joe Gouveia Outermost Poetry Prize. She is an assistant judge for the North Street Book Prize and a freelance editor. She is currently finishing a manuscript tentatively titled Walking into Lightning with a Metal Urn in My Hands, a collection of poems following the death of her husband to ALS.


Ellen LaFleche is a previous Moon Prize winner for her poem "After" posted on Writing In A Woman's Voice on June 9, 2017. 



Saturday, 19 January 2019


Baby Aimee

by Oonah V Joslin


with real-feel skin
life-like, genuine
guaranteed to please
and fully pose-able

she's yours to buy
to hold close. Cherish
every chubby inch of her.

Perfect she
doesn't cry or pee; she
doesn't breathe or grow
and cannot die.

So real, surreal, unreal
she really unsettles me.
Or would it be

the market’s need for her?


* * * * *

Oonah V Joslin is poetry editor at The Linnet’s Wings. She has won prizes for both poetry and micro-fiction. Her book Three Pounds of Cells ISBN: 13: 978-1535486491 is available online from Linnet’s Wings Press and you can see and hear Oonah read in this National Trust video. The first part of her novella A Genie in a Jam is serialised at Bewildering Stories, along with a large body of her work (see Bibliography). You can follow Oonah on Facebook or at Parallel Oonahverse https://oovj.wordpress.com/.


Friday, 18 January 2019


A different city

by Oonah V Joslin


each moment
emerges
from what has gone

before you were born
or we met
or were there together

all of us
young and lively;
or now.

We say,
It's changed. The old
folks have passed on.

We've changed.
Look at us.
Sixty plus

some gone before
the future arrived
and like it or not

we are reminded
the present was all
anyone ever owned

and is.


* * * * *

Oonah V Joslin is poetry editor at The Linnet’s Wings. She has won prizes for both poetry and micro-fiction. Her book Three Pounds of Cells ISBN: 13: 978-1535486491 is available online from Linnet’s Wings Press and you can see and hear Oonah read in this National Trust video. The first part of her novella A Genie in a Jam is serialised at Bewildering Stories, along with a large body of her work (see Bibliography). You can follow Oonah on Facebook or at Parallel Oonahverse https://oovj.wordpress.com/.

Thursday, 17 January 2019


HELLO BIG BROTHER

by Irene Cunningham


Is the carpet red enough, warm as toast?
Let me take your shoes, rest and be thankful
the warring is over, the country lies
at your feet...a nice bowl of rebel soup
will settle your stomach. The bread is free
of every irritant so don’t worry,
be happy. You’ve had a hard time of it
with all that waiting, manipulating –
it must be worth it. Wait, I’ll use my hair
to dry your feet; I heard it was the biz
in the past, we could bring it back in praise
of peace. Of course things will be difficult
with all the separating, collating
but it’s good to finally know your place.


* * * * *

Irene Cunningham’s recent publications: In Between Hangovers, Picaroon, South Bank Poetry, I am not a Silent Poet, Former Cactus, Riggwelter, The Lake, Shoreline of Infinity, Blue Nib. She thinks about the outside world but isn’t often there. One of her poems published this year has been nominated for The Pushcart Prize. Her website is  http://ireneintheworld.wixsite.com/writer


Wednesday, 16 January 2019


DONOR

by Irene Cunningham


How many mothers make a day
for themselves
create space
fictions
poetry from battles
and bottle the blood?

I have vintage years 
in recesses
stacked against plain plonk.

Capsules of me donated daily
dispensed with stress
and forgetfulness
gleaming
dark like beads
of death.

So when my day comes
crack open my skull
feel the suction
of fresh kill
slap it on a slab
slice sensible cuts
with intelligent hardware –
a cuisine challenge.

Marinade my thoughts
barbecue scattered dreams
pull away the gristle 
and fry my age-old brain
with herby garlic mushroom;
I am nothing
if not useful.


* * * * *

Irene Cunningham’s recent publications: In Between Hangovers, Picaroon, South Bank Poetry, I am not a Silent Poet, Former Cactus, Riggwelter, The Lake, Shoreline of Infinity, Blue Nib. She thinks about the outside world but isn’t often there. One of her poems published this year has been nominated for The Pushcart Prize. Her website is  
http://ireneintheworld.wixsite.com/writer

Tuesday, 15 January 2019


IN THE HOUSE OF TREASURES

by Candyce Byrne


In the large room lined with mirrors,
we slip treasures over our heads:
fully lined skirts, jackets with hand-turned buttonholes—
quality you rarely see nowadays.
we’re hunting for bargains in the “off-price” store.
Watch, if you like,
if plump matrons in their underwear
turn you on.

Notice we never
look at each other but only at
our silk-clad reflections, toward whom we silently sneer:
Too tight across the thighs.  Too big in the bust.
Will they think I paid full price?

And we could, of course.  You can tell by our shoes,
our lacy bras, our excellent haircuts
that we have the money to pay.

Those with the money to pay
walk out with their arms full.
The shabby girl who guards the door
watches us, making sure
treasures go to those with the money to pay.


* * * * *

Candyce Byrne studied music, English and journalism and is a graduate of The University of Texas at Austin and Clarion West.  She has been a broadcast journalist and anchor, a science writer and editor, managed publicity for nonprofit organizations, helped found and run a theatre for nearly two decades, and is currently the book review editor for NewMyths.  In addition to poetry she writes short stories and plays and has published in Grasslands Review, Xizquil, Magic Realism, Thin Ice, Bay Laurel, Asimov's and NewMyths.


Monday, 14 January 2019


ELEUSIS

by Candyce Byrne


Like Persephone she vanishes
in the April morning, a tangle-haired twelve-year-old
out for a jog.  They find her headphones
in the mailbox where she left them
when she thought only rain threatened.
A week gone.  Dogs and neighbors search in vain.
Like Demeter we rage.
Like Persephone she emerges
from the underworld of Cabrini Green.
(Not our first maid but another, just nine,
on her way home from a friend’s house.)
Her rapist says he dragged her
into his girlfriend’s apartment
and when he was done
threw her into the hall
hoping she was dead.
In place of pomegranate seeds
he filled her mouth with roach spray
to destroy the evidence.  Blinded her.
Crushed her throat under his foot to stop her screams.
Like Demeter we rage.

Demented at Eleusis
we rage, we search, we cry,
Enough!  Bring her home.  It’s time!
Helpless as Demeter, we rage.


* * * * *

"Eleusis" was originally published in Bay Laurel (September 2012).

Candyce Byrne studied music, English and journalism and is a graduate of The University of Texas at Austin and Clarion West.  She has been a broadcast journalist and anchor, a science writer and editor, managed publicity for nonprofit organizations, helped found and run a theatre for nearly two decades, and is currently the book review editor for NewMyths.  In addition to poetry she writes short stories and plays and has published in Grasslands Review, Xizquil, Magic Realism, Thin Ice, Bay Laurel, Asimov's and NewMyths.