Monday, 16 January 2017

Everything Must Go!                       

by Lauren Camp


Trees gaze down through gauze of August.
I drive the thermal air on a narrow road rimmed
with orange barrels. Many dashes disappear beneath the car.

The trunk is stuffed with bags of shirts, a box
of bras, boots, 2 pair thick black slacks.
Last year’s weary garments: all folds and holes

and crossed with wrinkles. My headlights wink the road.
The radio keeps talking, disfigured into news and static.
I nod like a metronome to the ardent strokes

of a woman’s voice, the wars I don’t take time to hear.
Red-petaled bee balm—rowdy, in reunion—
form a lavish congregation at the shoulder.

Joan’s directions tighten to successive loops
beneath the waxy breeze of juniper.
She says to cross the ditch, its boundaries like syrup

from last night’s arrogant rain.
Small slaps of mud hatch the car, and in the air,
ravens scrape the sky. The glitched road opens

to an easy mark past the chicken shack.
At her house I park in sludge, lug in bags, box
and particles of storm. This trip to shop

in Joan’s backyard where clothes flop on folding tables,
posing. Look! a purple top with alabaster buttons.
To build a wardrobe from other closets,

women strip to cellulite, try on hours of adornment.
I hand a stranger a size 8 skirt. Cobalt blue!
And before long we each peel off what isn’t wearable,

toss out gifts we’ve never owned. We form a chorus—
yes or no pressed down to how to fix it.
Listen again: we rush the grass to grab at free.

We are torn, long, rolled, our footprints in Joan’s unruly ferns.
We test the length of sleeve, a back
that opens widely. Gather desire and cast it off.
                                                                                               
In the mirror of each other, we start over, flimsy, sweaty.
Every find pushed in paper bags shoved behind geraniums.
Then, in the car, the bags, a box, new dust,

every form from someone else’s flesh, the afternoon immense
and sudden. I drive the distance between bumblebees
and mountains, the road long and slow and singing.


* * * * *


"Everything Must Go!" was first published in Your Impossible Voice.

Lauren Camp is the author of three books, most recently One Hundred Hungers (Tupelo Press, 2016), winner of the Dorset Prize. Her poems have been published in New England Review, Poetry International, Cultural Weekly, Beloit Poetry Journal and as a Poem-a-Day for Poets.org. Other literary honors include the Margaret Randall Poetry Prize, the Anna Davidson Rosenberg Award, and a Black Earth Institute Fellowship. She is a staff writer for Poets Reading the News and the producer/host of “Audio Saucepan” on Santa Fe Public Radio, a program that interweaves music with contemporary poetry. www.laurencamp.com






Sunday, 15 January 2017

Woman’s Body with Birds

by Lauren Camp


As she talks, I am not looking exactly
at the small crowd of stitches
scattered like bird prints on her torso,
or the arched dash of migrating tracks
where a doctor drew into her coast with a knife.

Last night, my body learned appeasement.
As the moon slouched, I again stretched
the soft parts of me that curve,
while the unscripted night turned in cycles.

In the locker room as she turns to the side,
I see her naturally sturdy self
settling, repairing.

Last night, he pushed against bone,
held my mind in his palms.

When the doctor told her it must go,
I imagine the breast sat like a bird on the dock
of her naked frame, beating
the precise rhythm of lament —

and if it bothered to flutter little wings
even once for the journey ahead,
it was in thin bright tones of uncertainty.

Because it is rude, I am not looking,
but I know her blood keeps pumping, even there.

For minutes I hold the colors of my breath.
When I walk away, fully dressed,
I reach to touch the two nests of cells on my chest,
to lift them up, and pull in tight.
The arc of my gestures is close to my body.

* * * * *

Woman's Body with Birds was first published in Feminist Studies.


Lauren Camp is the author of three books, most recently One Hundred Hungers (Tupelo Press, 2016), winner of the Dorset Prize. Her poems have been published in New England Review, Poetry International, Cultural Weekly, Beloit Poetry Journal and as a Poem-a-Day for Poets.org. Other literary honors include the Margaret Randall Poetry Prize, the Anna Davidson Rosenberg Award, and a Black Earth Institute Fellowship. She is a staff writer for Poets Reading the News and the producer/host of “Audio Saucepan” on Santa Fe Public Radio, a program that interweaves music with contemporary poetry. www.laurencamp.com

Saturday, 14 January 2017

For the Sad Waitress at the Diner in Barstow

by Alexis Rhone Fancher


beyond the kitchen’s swinging door,
beyond the order wheel and the pass-through piled
high with bacon, hash browns, biscuits and gravy,

past the radio, tuned to 101.5-FM
All Country – All the Time,
past the truckers overwhelming the counter,
all grab-ass and longing.

in the middle of morning rush you’ll
catch her, in a wilted pink uniform,
coffee pot fused in her grip, staring over
the top of your head

you’ll follow her gaze, out the fly-specked, plate
glass windows, past the parking lot,

watch as she eyes those 16-wheelers barreling
down the highway, their mud guards
adorned with chrome silhouettes of naked women
who look nothing like her.

the cruel sun throws her inertia in her face.
this is what regret looks like.

maybe she’s searching for that hot day in August
when she first walked away from you.

there’s a choking sound
a semi makes, when it pulls off the
highway; that downshift a death rattle
she’s never gotten used to.

maybe she’s looking for a way back.
maybe she’s ready to come home.

(But for now) she’s lost herself
between the register and the door, the endless
business from table to kitchen, she’s

as much leftover as those sunny side eggs,
yolks hardening on your plate.


* * * * *

"For the Sad Waitress at the Diner in Barstow" was first published in The San Pedro River Review, 2016 and in S-Curves,
http://s-curvesonline.com/sad-waitress-diner-barstow/ (2016)

Alexis Rhone Fancher’s poems are published in Best American Poetry, 2016, Rattle, The MacGuffin, Slipstream, Wide Awake: Poets of Los Angeles, Hobart, Mead, Chiron Review, Cleaver,and elsewhere. She’s the author of How I Lost My Virginity To Michael Cohen & other heart stab poems, and State of Grace: The Joshua Elegies. Her photos are published worldwide, including spreads in River Styx, Rogue Agent, and the covers of Witness and The Mas Tequila Review. Since 2013 Alexis has been nominated for 7 Pushcart Prizes and 4 Best of the Net Awards. She is poetry editor of Cultural Weekly. She grew up in Topanga and now lives in Los Angeles. alexisrhonefancher.com 


Friday, 13 January 2017

Sabina

by Margaret Sefton


At five in the afternoon in December the dark skin of night closes in over day. Across the street from Sabina's townhouse the last glimmer of gold, the fire sky, simmers through the pines, the scrub oak, the palms, and she wishes to hold onto that moment of the final sun forever, a diamond in her hand, its flash, its promise. But of course there is no stopping the night. It shuts down a liveliness in her as if it were the coming of age itself, as if it were death itself come unbidden.

He would have called her melodramatic, "he" being her ex, of course. She would have said she was merely acknowledging her reality, this sense of being subject.

And so she plowed through on this Monday, with her experience, in this melodramatic frame, wondering this: What to provide her son for his dinner when he begins his week with her. When the earth shuts down, this is no small task. The weeks her child is with his father she eats only leftovers, scours the crisper and cabinets for anything that would serve as a food source. She is juggling bills and doctors and medicine and a crumbling house and car. She eats things past their due date, sometimes way past. One time she got sick.

When it is time for her son to spend Christmas week with her she knows if she appears desperate or unorganized, she risks losing contact. She must address her responsibilities as dark skies threaten to sap her and so she takes a risk: She texts for her son to pick up carryout on his way home from soccer practice.

"Does your ex think you unfit to parent?" This from her therapist months ago when she was charged to come off of a controlled substance. She was strung out and barely able to carry a thought from one sentence to the next. She sometimes forgot words altogether. And yet this one word rammed through her: unfit. The word reverberated in her skull with no pill to protect her. This seemed unfair, outrageous, even, that she would be subjected to this. She and her eighteen year old had been through worse - the threat of her death and chemo treatments - and come out together, it seemed. She left her therapist, sent her a text and asked her about that word - "unfit" - but then didn't really try to understand her therapist's return text, just told her she wasn't going to come in at this time. Sufficiently vague. But when the sky fell early the following winter, there was no pill to guard against the effects of that hour of darkness.

Though she could speak this December "unfit" would never leave her, she knew. It unnerved her that her ex might see the text to her son to help her secure food. Would he see this as "unfit?" It is amazing how many things come out in a divorce, over a conference table, a smooth blond wood surface in a room across the street from the fountain Sabina described in her first published piece which her then husband proudly framed for her and hung it on their wall. And yet, years later, at the mediation: All the small slights, the things told in confidence, trotted out, the hurts.

But there is also this: Had she not bought real maple syrup for her husband and son when she was married? After the divorce, when she bought an imitation brand to save money so she could buy pancake mix too, and health insurance, her son spoke of his friend's house, where he ate "real syrup." This became for her a secret symbol of families who had not been broken, and almost all families in her son's conservative Christian school were still intact, a school where Sabina now felt like a pariah though she had once felt close to many of the women, where she had even been involved.

Somehow Sabina knew the Jesus of the Christian school would have actually been eating imitation syrup with the tax collectors and sinners, the broken, the unwashed people scrounging to eat in the face of powerful ruling religious classes.

And at the outset of her son's soccer season this year, coinciding with early darkness and regrets, her son greets her after a game on the sidelines and calls another woman his mom. Why do all the dramas of our lives get enacted on fields? Is there so much intensity there, invisible, that we slip into it whether the field be in the shape of a rectangle or diamond? And though things are redeemed, there are also things lost on fields never to be found again.

Still, Sabina's contest has always been with the sky, not a person nor a disappointment related to a person, not a field nor a disappointment related to a field. No matter, she faces the murdering night on this Monday of Christmas week, waiting for her son to bring sustenance, determined to serve pancakes with syrup even if she must boil brown sugar and water over a meager stove for want of money, the little bit of money having been transferred to the carryout and the stores for the gifts under the tree.

* * * * *


Meg Sefton's work has appeared in Best New Writing, The Dos Passos Review, Ginosko Literary Journal, and other publications. She lives in Winter Springs, Florida with her son and their little white dog Annie, a Coton de Toulear.


Thursday, 12 January 2017

Bosnian Woman

by Oonah V Joslin


Amitri! Amitri!
the woman sobbed.
Her child
her only son
whom she had loved
torn from her by a shell.
Her womb
and mind ripped
fragments
she could bear no more.
What God had given
was gone.
The world looked on.

* * * * *
The author notes: This was written years ago. The places change. The faces change. But war goes on.

Oonah V Joslin is an editor at The Linnet's Wings. Her book of poems Three Pounds of Cells was published in 2016.


Wednesday, 11 January 2017

My Dream Rendezvous

by Sheena Singh


As I sit under this huge banyan tree to pen down my electrifying experiences in this detox centre, I notice each branch embracing another in a tight hug. It resembles snakes making love as they hide away from human glare. Few days after my admission here in this camp, this tree has been my best friend. He knows when I am up or when I felt low. It may sound exaggerated but this is my own interpretation of its shedding leaves according to my mood swings.

I have got myself admitted to this health village cum detox centre, few kilometers away from my residence. No one had prescribed me to get any sort of treatment but I myself felt the need to take a break from everything. Everything included my work, my folks and me myself in all respect. I wanted to forget who I am or who I want to be. I wanted all boundaries to loosen, letting my inner self flow to its own rhythm, feel my soul and break free without any limits. I wanted to wake up listening to the song of cuckoo, feel the earth, take bath in the lake, dance like a peacock and move around as if no one is watching.

I wanted to let my hair uncombed, leave my face with its natural shine on , let my bronze tinged lips breathe free without traces of my favorite lip color. I wanted to wear loose clothes, not clinging on to my curves, leave my feet as they were to sense moisture without nail paint. I wanted to laugh and cry louder without any reason and feel lighter. My skin shall now breathe easy as they won’t be subjected to stretching and itching during the waxing sessions. I wanted to sit on that rock and sing aloud with the mountains echoing my nasal tone back.

I wanted to pen down my thoughts for no one to read and judge.  I wanted to make a paper boat and sail it in mud. I wanted to take a dip in that muddy river and emerge holier without my clothes on. I wanted to move with naked feet and lie down on the grass. I wanted to drape myself in unstitched saffron and not to bother as wind undrapes its folds as per his needs.

I wanted to form an unnamed bond with the yogi in charge of this centre. The early morning yogas with him gave my body the heat it needed. His stretchable bare body gave new dimensions of intimacy which was alien to me. Every evening as I walked to the woods to take a round, I found him sitting on the rock with a stoic face as if waiting for me so that he can join. And the innumerable hugs he gave me in between made my body shiver. The sixty plus yogi had well-built structure, strong and poised. His tight arms gave my wandering thoughts the shelter they needed. He taught me the secret of chakras in my body, his long pointed fingers drawing circles as he explained each chakra. He taught me the best way of using a bottle. He made me realize the best things of being a woman.

I wanted to feel unrestrained... feel Free...
I wanted to be freed...Felt...Caressed
I wanted to be let unjudged …
I loved this space of solitude...it gave me peace
It taught me to lead life in my own terms…unconditionally


Tuesday, 10 January 2017

Limbo Bimbo
by Semia Harbawi

Inadequacy: A term that fitted me snugly, espousing all the curvatures, both convex and concave, of the woman I had allowed myself to become. It hung neatly on my frame in the manner of a bespoke suit on a runt; a man whose growth had prematurely been stunted. Inadequacy was an aura whose quasi-palpable radiation hallowed my life; monotonous electrostatic impulses palpitating with the cadence of my breath and heart beats. I perceived it as a variety of in-built transponder, one I got at birth so that I would not get lost on the huge map of cosmic schemes. I always envisioned it as a vibrant red, bright lapis lazuli or malignant yellow bleeping blip marking off my predestined slot.
Inadequacy encapsulated the gist of what I was, who I was supposed to be. I had always suffered from a diluted sense of ‘botchulism,’ a word I read somewhere, which condensed the way I perpetually felt. A sentiment whose exact point of origin I could not clearly pin down. I botched everything I undertook in the sense that I always missed the mark, being out of my depth in social as well as personal contexts. All my decisions had been made up for me. My choices had been foisted on me. And I had been drifting through life like a lost soul mired in random missteps. 

I was in a sort of limbo, hovering in the vacuous torpidity of my everyday life: a gigantic gerbil wheel, with my pathetic self crucified on its slowly rotating spokes (my pointed chin and long nose, thin lips and buck teeth unfortunately tend to lend force to the metaphor). One of the few things I was, however, good at was anagrams (the more irreverent, the better). The idea being that the truth about a person is likely to be epiphanically revealed after a certain permutation of the letters making up their names. The mental callisthenics of shifting letters around had a soothing effect on me, lulling my anxieties and providing me with a sense of immediate purpose and a certain measure of control. It had the same effect as intoning mantras or repairing to the relative security of magic thinking; a screen of white noise consisting in letters strobing through a game of musical chairs to the sound of a crazed tarantella. It was a diversionary tangent I devised to shelter my sanity in those moments I felt like popping up in a puff of rage and cinders.
 
I had spent some time poring over the possible combinations of my husband’s name ‘Mundher Rhaiem,’ hunting for the least flattering one that could most sum up his fatuousness and, lo and behold!, I came up with: “hum! Hinderer am!” Once again, my endeavour, as trivial as it was, fell flat. As pitiful as a slowly deflating soufflĂ©. Apart from invariably starting most of his sentences with “I really think,” ‘my husband’ (‘shun, bad!’) had another pet habit that was slowly driving me mad. He would rattle on and on about the variegated species of phobia, a farrago of worthless fragments of knowledge. He would string them out in a rosary whose beads he would tell with an awed delectation; a concatenation of the grotesque and the improbable, the baroque and the inadequate. They were so many facets of the vagaries of a human psyche gone astray in the meanders of inadequacy.
The barbarous tongue-twisting appellations encompassed the presumption to contain the misery of square pegs teetering on the verge of the unspeakable; a freak show list of the bizarre: Atelophobia- fear from imperfection; cherophobia- fear of gaiety; agateophobia- fear of insanity; aictimophobia- fear of needles or pointed objects; Coprastasophobia- fear of constipation; agliophobia- fear from pain; coulrophobia- fear of clowns; dishabiliophobia- fear of undressing in front of someone; taphophobia- fear of being buried alive; Geliophobia- fear of laughter; Novercaphobia- fear of your step-mother … and on and on and on. I would then picture Mundher as a tapir, his mouth morphing into that long flexible snout aspirating words and feeding on them like so many savoury titbits. He will carry intoning his weird litany, his eyes alight with the uncommon knowledge, smacking his lips now and again as if tasting the sourness of the absurd fears and unheard-off possibilities. He wallowed in the relieved certainty that he was glimpsing from afar, with a voyeur’s delicious shudder, other people’s internal squirming, cringing and debilitating fears. This reinforced his illusion of immunity to the vicissitudes of the slot machine that is fate. 

I once enquired, in an innocent girlish voice, about the phobia of ridicule and he rose to the bait. He was impervious to the sarcasm, altogether invulnerable to the irony directed at his pathetic obsession with the pathological. He scrunched his brows, grinned in a lopsided fashion and lingered lovingly on each syllable, drawing out each letter, stretching it to its very limit: “Ka-ta-ge-lo-phobia!” was the triumphant response. You clearly don’t have that one, I mused. His words were like the shallow noises of pebbles ricocheting off the surface of a placid lagoon. On some occasions, I would feel like tenderized steak under the pounding of his unwanted knowledge. Despite indulging his own tedious quirkiness, he had no indulgence for others’ foibles. He held against me, for instance, the fact that my only friend is a thalidomide child whose hobby was painting temperas using the yolk or white of eggs. He always poked fun at her in a most cruel fashion. I would then look at his pronounced overbite, bow-legged gait (I would also think about his tiny …, well forget about that) and cowardly hold my peace. 

One afternoon, I was pecking at my computer’s keyboard, surfing the net in a half-hearted attempt to do some research for the dissertation paper I had been tinkering at for almost three years (A comparative study of English and Arab Romantic poets. “I really think it’s a waste of time and energy,” my ‘Shun, bad!’ airily commented). It was when I stumbled on a trailer for an online game which had caused some furore in its wake. More out of boredom than any real inclination, I made my entry into the enchanted realm of what was to become my other life. My mesmerised eyes lingered on the array of extraordinary creatures roaming the recesses of another world of pixels; a world where you could decide what you wanted to be. A god-like puppeteer jerking the virtual strings to an avatar you could mould to your heart’s wishes. I liked the Pygmalionesque element of the venture and was duly awed by this act of creation spawned by intricate algorithms as arcane and baffling as God’s impenetrable ways. I sensed that a small window had teasingly swung open onto a parallel dimension where I could finally shake off my nagging inadequacy with all its infernal trappings. I became an ‘agent’, the term used to denote any participant in the game. I marvelled at the juxtaposition of my name with such a word and all the connotations attached to it. 
The first task was for me to choose a pseudonym. I racked my brain for a flamboyant nom de guerre and came up with two syllables that collided with a spark of glorious effulgence: Shahnaz. She was all that I was not. The kind of woman who would spit out such retorts as “when I want your opinion, I’ll give it to you!” At first, she had nothing remarkable about her, a pupa in her chrysalis. She was a ‘newbie’ who had very limited access to most of the game’s locations. The addition of any desired traits depended on the amount of time I was willing to spend on the game and the number of tasks I would accomplish.
The more involved I would allow myself to become, the more points I would be granted. Shahnaz’s evolution depended on the degree and seriousness of my involvement. As weeks crept by, she gradually transformed into an incandescent rendition of my secret inner self: When I became a well-liked member of the game community and amassed an astounding number of points, I was offered a breathtaking assortment of possibilities as to my avatar’s physical appearance and personality traits. I indulged each and every fantasy I had ever nurtured and went at it with a vengeance. I created the ultimate limbo bimbo; a collage of motley features that created a Sapphire, a fearless marauder of a cyber twilight zone so enticing in its hovering opportunities. I felt awash with the creative drive. She was Shahnaz the sloe-eyed, tightly-clad Amazon staring me in the eye awaiting my bidding to lead by proxy a virtual life shot with the perks of yet-to be born possibilities. She was my persona, my doppelganger, my sister and my friend. She was my Alice in a cyberspace version of Through the Looking Glass or a post-modern version of Bosch’s “Garden of Earthly Delights.” The Tunisian flag fluttered near her head clamouring my origins and cultural background. 

I started slinking out of bed at nights after I had ascertained Mundher was sound asleep. I relished the secrecy and the sense of purpose. The purplish smudges ringing my eyes from lack of sleep were a cheap enough price to pay for the latitude I allowed myself. My days started trundling by as if in an egg-and-spoon race. Day time became a blurred swathe of disjointed insignificant events I waited out in fretful impatience, reparsing every moment of the game. My fantasies whirled about in my head in a dervish-like hyperkinetic swirl. My husband was not even intrigued by my deserting our bed or the glazed look I took to assuming whenever he reeled off the names of his beloved phobias. 

The night was the domain where my avatar would take over and indulge all my daydreams. I admired her as she traipsed through the limbo landscape of what became my reality. I eased into my role as effortlessly as if it were a second skin. I wandered estates and parcels at will; a nomadic resident of this virtual world. I haunted nightclubs, preferably the sleaziest kind like the Shaft, a swinging joint. At first, I was reticent to venture in such places and then thought what the hell! I was buffered by her, my avatar. I shunned serious activities and embarked on the more sybaritic ones. Making out and shedding inhibitions, like a snake sloughs off its old skin. I sought to experiment with all manner of partners from diverse nationalities. Shahnaz and I knew no limits. It was an exhilarating experience. I had no dramatic encounters save for a tandem of ‘griefers,’ or attackers in the game’s jargon, who tried to impede Shahnaz’s movements. They inundated my screen with verses from the Qu’ran and many hateful messages about how I was shaming Muslims by indulging in such lewd acts and donning such outrageous outfits. I enquired what the hypocritical bigots themselves were doing in these lurid locations and they called me a slut and a flurry of choice obscenities. I cut them short by ‘teleporting’ Shahnaz to a friendlier place. 


When the server hosting the game was hacked into, many agents’ accounts were temporarily suspended for several days. I was one of them. This lull provoked in me the same withdrawal symptoms which might affect a drug addict during her weaning phase. When I finally re-accessed my account, a nasty surprise was in store for me. Much to my chagrin, my dear Shahnaz had lost all her glittering attributes as a result of the data loss occasioned by the virus the hackers injected into the system. We were back to square one. She was a bland, unrecognizable version of her former self. An acute case of mourning sickness washed over me. It felt as if I had lost a beloved person. I could not bring myself to start all over again. I made up my mind to live for her, to become the real-life avatar of my virtual self. 
The following day, I woke up with an uncanny sense of resolve. I was a woman on a mission. I nonchalantly picked up my husband’s car keys and made for the door. His car was the apple of his eyes. Mundhir stopped munching his food and looked up in confusion. I had always been crippled by an almighty fear where cars were concerned because I had constantly felt ‘inadequate’ behind a steering wheel. “What do you think you’re doing there?” “I’m going to drive around for a while. Don’t expect me back for lunch.” “Now I really think you’d better …” “When I want your opinion, I’ll give it to you.” This was said in a calm voice and before he had time to digest this new turn in events, I added, almost as an afterthought: “By the way, I really think I’ve developed something called ‘youropinionophobia.’You can add it to your list!” It was not necessary to look at his face to sense his utter bewilderment. I jauntily slammed the apartment door behind me and went down the stairs in record time. As I started walking to where the car was parked across from our side of the street, he came out on the balcony and started yelling first in anger before his tone changed to supplication: “I really think you should come back here immediately Aneessa! You must be out of your mind woman! Nobody drives my car but me, you know that! Please! Stop! Wait!!” I did not even bother to look back. I got into the car and drove off. I put on my ‘shun, bad’s ridiculous Ray-bans and lit one of his smelly cigarettes. I drove with one hand on the steering wheel and the other, which held the cigarette, dangling out of the open window. This most singular posture for a decent woman invited many curious and disapproving stares from passers-by both male and female. I slowed the wretched car down to twenty kilometres per hour and steered it to the very middle of the one-way street. Soon a line of cars formed behind me with angry motorists leaning on their horns and howling invectives my way. I could not care less. I fiddled with the dials on the car radio until I came on a song Shahnaz would have liked. I deeply inhaled the acrid smoke and started humming to myself.